NATALIA RUBIŚ

Biography

Natalia Rubiś – soprano, a graduate of the prestigious Yale School of Music. She has performed at the Gran Teatre del Liceu and Teatro Real in Madrid with Il Giardino Armonico under the direction of G. Antonini. Recently, she made her debut as Aida at the Kraków Opera.

She also played the role of Benigna in The Black Mask by K. Penderecki at the Grand Theatre – National Opera, for which she was nominated for the Olśnienia award. She has sung the role of Halka at the Wrocław Opera, Warsaw Chamber Opera, Polish Royal Opera, and during a tour with Capella Cracoviensis in Lisbon, Brussels, and Prague. She has also performed at the Prague Rudolfinum, as well as in philharmonic halls in Brno, Poznań, Kraków, and at the National Forum of Music (NFM) in Wrocław. At Musikverein, she performed J.S. Bach’s St. John Passion.

Her repertoire includes roles such as Mozart’s Elettra, Vitellia, Contessa, Fiordiligi, Donna Elvira, and Donna Anna, Gounod’s Marguerite, Cherubini’s Faniska, Britten’s Helena, Purcell’s Dido, Lehár’s Liza, as well as Händel’s Almirena, Romilda, and Merab.

She has made numerous recordings, including Halka with Capella Cracoviensis, La fiera di Venezia with L’arte del mondo (Deutsche Harmonia Mundi), Universal Prayer by A. Panufnik with NFM Wrocław, as well as the opera Hrabina and Moniuszko’s cantatas (Widma, Nijoła) with Europa Galante. During the Ludwig van Beethoven Easter Festival, she recorded Faniska, Le pauvre matelot, and Salade (Milhaud) with Łukasz Borowicz.

She regularly performs in philharmonic halls across Poland, presenting works such as Haydn’s The Seasons (Warsaw), Saint-Saëns’ Oratorio de Noël, Odysseus and Christus by F. Liszt, and Szymanowski’s Stabat Mater (Kraków). Other performances include Mahler’s Symphony No. 4 (Poznań), Haydn’s The Creation and Panufnik’s Universal Prayer (Wrocław), Bach’s St. John Passion and Rachmaninoff’s The Bells (Łódź), Penderecki’s Credo and Dvořák’s Te Deum (Bydgoszcz), as well as Dvořák’s Requiem (Katowice).

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